Texto bem comportado do dramaturgo canadense Daniel MacIvor, do qual já vimos os menos convencionais In On It, APrimeira Vista e Cine Monstro. Neste caso as personagens são bem definidas e a história tem ação linear com perfeita definição de tempo e lugar, algo explicitado pela direção em uma tela de TV que faz parte do espaço cênico.
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